Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era
Produced by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in UK and Irish theaters from 17 November.
